Born in 1990 in Paris. Lives and works in Marseille. Since her studies at the École Nationale Supérieure d’Art de la Villa Arson, Gillian Brett has critically explored the relationships that our societies maintain with technologies. Unlike the traditional “anti-industrial” aesthetic, her work does not seek to give a nostalgic form to prototechnological tools. Instead, she affirms the overabundance of objects—and waste—directly derived from our current environment by exposing and exploiting the materials and machines that constitute it.
Links:
zittoeditions.com 